Trumpeldor cemetery in Tel-Aviv, 2017. Nikon F3, Kodak Tri-X 400.
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Cemetery
A minute of vanity
Some time ago I contacted a guy who runs Emulsive.org website asking how I could contribute to the community. All I could think about was to translate an article or write some kind of film review or my impressions of film photography or something like that. Hardly had I expected what will come…
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Now we’re talking, Kodak Tri-X
As I’ve mentioned already here or on social media, I’ve got myself a 100 ft roll of Kodak Tri-X 400 and now all of my 35mm cameras – which is not many – are loaded with it. Before the latest batch, the results were so-so to my taste. A puzzling mixture of failed…
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My 3 cents in defence of film simulation
Recently I’ve read a post by Frank Lehnen in which he points out a phenomenon of film simulation in digital photography. As he claims his loyalty to film he also asks an obvious question: “Why trying to imitate film when there’s the real thing?”
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Enjoying the sunset
Living by the sea was never my dream or goal, it just happened that we live on the coast. That’s why, I guess, we don’t go there very often. But once in a while, it is so relaxing and calming to come and enjoy the sound of waves and the view of the mountains lit by the setting sun….
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Is There Anybody In There?
Black flower, white plate
For the last month or so I’ve been developing only colour film and kinda forgot how it feels to soup b&w. Last weekend I’ve finally unpacked my new developer for black and white – Kodak HC-110 – and did a couple of rolls. As more pictures from those two are coming, I…
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